Art The Hague, Fokker Terminal, The Hague

Art The Hague is quite a small fair but it takes some time to see it all. There is a kind of limbo before you enter the real art fair,

which gives you the idea that things are not really important in that vestibule. The Hague Historical Museum shows some pictures of its sympathetic project Den Haag, Stad van aankomst (The Hague, City of Arrival) by Conny Luhulima and Geert van Kesteren, while

WTC-Gallery shows some expressive postmodernity to fit modern suburbia, with amongst others this diorama by Demiak. And further on?

Well, they probably forgot to put this sculpture by Joachim De Block in its right place and left it in limbo to be ignored by the visitors. And on entering the great hall

you might think you entered a luxury poster shop, but

do turn left to Seasons Gallery to take a look at Gerard Verdijk’s paintings. Verdijk (1934-2005) was one of the best painters in The Hague.

Work by Lauren Hillebrandt at With Tsjalling, playing with colour, shape and meaning.

Gallery Project 0.2 shows Denis Rouvre who always uses the same clair-obscure, presented by the gallery in an aesthetic, stark and clean way. A modern way of having trophies on your wall. But

why do i think Rouvre’s work is slick and this drawing by Arike Gill (at Vonkel Gallery) isn’t?

Talking about slick photography (and there is quite a lot on show), you can’t say Merijn Koelink’s pictures are slick. He concentrated on the use of LED in public places at night. Colour, light and dark tell a story here with more aspects. Koelink is a fresh graduate of the The Hague Royal Academy (at A Gallery Named Sue).

Helder Gallery shows, amongst others, sculptures by Willem Speekenbrink and paintings by Jakob de Jonge who will both have an exhibition at the gallery soon.

This year some Belgian galleries are represented at the fair. Amongst others Eastmen Gallery with works by Kamagurka and

by Gommaar Gilliams, a painter who isn’t very well known in this country.

Nouvelles Images gallery shows, amongst others, geometric abstract works by Cor van Dijk (very fine sculpture) and

Ditty Ketting (painting).

Some galleries give special attention to just one or two artists. Others who don’t, have sometimes difficulties in showing where their priorities are, like Van Hoof Gallery (is it just aesthetics? funny but silent pets?),

Chiefs and Spirits (art from Africa? art from elsewhere? and why exactly this choice?)

or Het Bouwhuis (the aesthetics of nature? or aesthetics based on nature?).

Compared to these Bob Smit Gallery has no qualms showing what it stands for, as these works by Stefan Gross show.

At Mirta Demare gallery Sandro Setola silently steals the show, while

in the next booth Buro Rotterdam has a small but very fine solo presentation of works by Olaf Mooij who gave cars a different, more organic life (and who also made the sculpture you can see on the very first picture of this posting).

Next year herman de vries wil represent the Netherlands at the Venice Biennial and as such he has been given a booth of his own.

That you can perfectly well show quite a few different artists in one booth without losing your identity as a gallery is shown by Ramakers gallery

and Heden, the place in The Hague where you can borrow art. Heden also

shows work by Anne Forest who will have an exhibition there soon.

Livingstone gallery pays some extra attention to small but very fine works by Jan Wattjes, while

Dom’Arte shows amongst others works by Marc Mulders and

Han Klinkhamer.

But the best prominent and defining features of Art The Hague are the informal solo presentations, away from the egalitarian dictatorship of the white cube.

On the ground floor is a presentation of works by sculptors who graduated from Belgian Academies this year. They all exhibit interesting work. I’ll give an impression here without comments: Jean-Loup Leclerq,

Marjorie Kapelusz,

Clara Gallet,

Jeroen Van der Fraenen,

Joachim De Block and

Ruben Podevyn.

On the second floor there are some special presentations by galleries,

again without much comment: Livingstone shows Simon Schrikker’s marvellous Pulpo series together with the stop motion video he made with it;

Bob Smit Gallery shows that being over the top says more about art and society than just being slick,

as shown here by Pieter W. Postma;

Helder gallery has an impressive combination of works by Willem Speekenbrink (sculpture),

Jochem Rotteveel (paintings with duct tape) and

Roland Sohier (drawings); and

Ramakers gallery shows Joncquil’s fine series 60 Ways to Hold a Rope.

Although the exhibition has no real surprises, this year’s edition is stronger than last year’s,

but it could be much stronger.

(Click on the pictures to enlarge)

Bertus Pieters

From Picasso to Sol LeWitt, Artist’s Books after 1950; Meermanno-Westreenianum, The Hague

The Meermanno-Westreenianum Museum is one of the finest museums in The Hague, if not in the country. At the moment the exhibition From Picasso to Sol LeWitt, The Artist’s Book after 1950 can be seen. That is

I am a bit late posting this, as it can be seen until next week. Sunday July 13th will be your last chance. Many mouth-watering books are on show, like Another Water by Roni Horn.

The left-handed Punch by Roy Fisher and Ronald King.

Of course Raymond Pettibon cannot be missed in a show like this.

There’s a copy of Alberto Giacometti’s classic Derrière le miroir, as well as

Louise Bourgeois’ and Arthur Miller’s Homely Girl, A Life, where Bourgeois’ illustrations can be opened apart from the text-pages. They open like horriffic butterflies.

Great in quite another way is this book by Lao Tau.

And then there is this impressive book illustrated by Bram van Velde. Well, illustrated, you’d better call it a dialogue (poetry by Charles Juliet).

And more Van Velde. And quite a lot of

work by the versatile Dieter Roth, but in the same room

there’s also a showcase with books by Elsworth Kelly and

one with works by Ed Ruscha. Each room has a monitor showing a hand browsing through one of the books.

Leotard by David Shrigley and

work by Sigmar Polke,

Cy Twombly and

Françoit Morellet amongst many others. And at last,

there’s a table where you can actually open some books yourself!

This way.

Printed Matter by Ulises Carrión,

Geschichte der Wolken (History of the Clouds) by Hans Magnus Enzensberger,

7: Biele Compagnie by Massimo Danielis,

Stillanovel by Carl Andre and

work by Antoni Tapiès,

by Fransje Killaars,

Sjoerd Hofstra,

this fantastic book by Margit Rijnaard and many others. And

there’s a showcase with works by Richard Tuttle.

Herman de vries’ works are well represented (herman de vries will represent the Netherlands at the 2015 Venice Biennale) as are

works by Sol LeWitt.

There isn’t much Picasso, but never mind, this exhibition will make you greedy anyway!

(Click on the pictures to enlarge)

Bertus Pieters