Lucius Pax, Anne-Marie Vismans-Rijssenbeek, Petra Knötschke; Kunsthaus Knötschke, The Hague

Anne-Marie Vismans-Rijssenbeek

There are developing more small scale art spaces in The Hague these days, varying from shop windows and tiny galleries to living room pop-up exhibitions like this one in Petra Knötschke’s house.

Anne-Marie Vismans-Rijssenbeek, Lucius Pax

Anne-Marie Vismans-Rijssenbeek

Anne-Marie Vismans-Rijssenbeek, Lucius Pax

Three artists are exhibiting in the two storeys of the house: Petra Knötschke herself, who shows objects, Anne-Marie Vismans-Rijssenbeek with ceramic vases and Lucius Pax, paintings.

Petra Knötschke

Petra Knötschke

Lucius Pax

Anne-Marie Vismans-Rijssenbeek

Knötschke’s objects, made of wood, metal and other materials, look like un-mechanical mechanisms, improvisations that live by themselves.

Lucius Pax

Lucius Pax

Lucius Pax

Vismans’ vases may appear like ‘real’ vases but they may also develop into almost corporeal objects, both opened and closed.

Lucius Pax

Lucius Pax, Petra Knötschke

Petra Knötschke, Anne-Marie Vismans-Rijssenbeek

Anne-Marie Vismans-Rijssenbeek

Lucius Pax, always painting life as a thriller movie, shows some works based on German ‘Krimis’ (criminal tv-series) and German erotic movies.

Anne-Marie Vismans-Rijssenbeek, Lucius Pax

Anne-Marie Vismans-Rijssenbeek

Lucius Pax

Petra Knötschke

The whole show is well-arranged and is only open this weekend (23-24 June).

Lucius Pax

[Click on the pictures to enlarge]

© Villa Next Door 2018

Content of all photographs courtesy to the artists.

Bertus Pieters

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Art The Hague 2017, Fokker Terminal, The Hague

Although still one of the smaller art fairs, Art The Hague has expanded a bit this year.

Jan Henderikse, Schoots & Van Duyse, Antwerp

Jan Henderikse, Schoots & Van Duyse, Antwerp

Joel Mpah Dooh, Sanaa, Utrecht

The restaurant has been removed from the main hangar to one of the side rooms which has created more space to present more galleries and to create more leeway for visitors.

Joel Mpah Dooh, Sanaa, Utrecht

Joel Mpah Dooh, Sanaa, Utrecht

Anton Vrede, Hommes, Rotterdam

Art The Hague describes itself as ‘quirky’, but that probably still needs some time, as still some more kitsch could be removed, although progress has been made in that field (and i seem to be a hardliner on the subject).

Wycliffe Mundopa, Twelve twelve, The Hague

Gert Scheerlinck, Twelve twelve, The Hague

Emanuel Tegene, WTC The Hague Art Gallery

And wouldn’t it be a good idea to ask galleries not to show more than three artists each?

Emanuel Tegene, WTC The Hague Art Gallery

Ron Amir, WTC The Hague Art Gallery

Karolina Orzelek, Dukan, Paris, Leipzig

Of course galleries would like to present themselves as one big and divers family but does that really add to the characters of these galleries?

Geert Baas, Ramakers, The Hague

Pat Andrea, Ramakers, The Hague

Andrea Freckmann, Maurits van de Laar, The Hague

With only three artists a gallery can really make a statement about itself without being excessive and new artists may get more attention.

Andrea Freckmann, Maurits van de Laar, The Hague

Hamid El Kanbouhi, Nouvelles Images, The Hague

Marc Mulders, Dom’Arte, Rucphen

Especially in a smaller fair the focus on individual artists could be an asset.

Elke Lutgerink, Wilms, Venlo

Elke Lutgerink, Wilms, Venlo

Elke Lutgerink, Wilms, Venlo

Art The Hague promised some focus on African artists, but that doesn’t really stand out.

David Pedraza, Heden, The Hague

Jef Gysen, Shoobil, Antwerp

Erik Buijs, Huub Hannen, Maastricht

To really focus on something like the African art market you need to be very well prepared and you need to invest in research, otherwise the quality – as it is now – will be mixed.

Coen Vernooij, O-68, Velp

Gregor Gaida, Hoorn en Reniers, The Hague

Lucius Pax, WTC The Hague

The ‘quirkiness’ of the fair is probably best presented in its side rooms.

Robbie Cornelissen, Maurits van de Laar, The Hague

Kevin Rausch, Hoorn en Reniers, The Hague

Paul Nassenstein, Luycks, Tilburg

This year the second floor isn’t used but the ground floor has been refurbished and tries to present an alternative to Drawing Amsterdam, which will be missed this year.

Erika Cotteleer, Shoobil, Antwerp

Hamid El Kanbouhi, Nouvelles Images, The Hague

Jimi Kleinbruinink, Allard Wildenberg, Naarden

Of course only four rooms can’t be an alternative to a whole fair but the presentations are very good and they make for one the best aspects of the fair.

Jimi Kleinbruinink, Allard Wildenberg, Naarden

[Click on the pictures to enlarge]

©Villa Next Door 2017

Content of all picture courtey to the artists, the galleries and Art The Hague 2017.

 

Bertus Pieters

ZomerExpo 2015 (Summer Exhibition 2015), Gemeentemuseum, The Hague

Nijveld & Van Aanholt

Nijveld & Van Aanholt

The Gemeentemuseum The Hague organizes every year the so-called Zomerexpo (Summer Exhibition), a kind of salon. The salon is open to amateurs and professionals. Here you see pictures of the works i liked.

Raphael Hermans

Raphael Hermans

 

Raphael Hermans

Raphael Hermans

ZE15 04 Raphael Hermans

Basically the works are presented anonymously to a panel of different artistic professionals, who have to decide within a few seconds which works of art will be allowed to compete for a place in the exhibition. Every year there is a theme; this year it is woest (wild).

Mascha Joustra

Mascha Joustra

This is the fifth edition, but as a tradition it isn’t very exciting. In spite of a critical jury the enormous number of different works cause an idea of mediocrity, although the presentation tries everything to avoid that.

Nicole Peters

Nicole Peters

 

Nicole Peters

Nicole Peters

 

Nicole Peters

Nicole Peters

Every single work is part of an artistic world of its own, torn away from its context. Some works may become less meaningful or even quite meaningless without the context of other works of the same artist.

Peter Ruiter

Peter Ruiter

 

Peter Ruiter

Peter Ruiter

If you want, as a prestigious institution, to offer to artists a rare chance to show their works, what do you want them to really gain from it? A bit of exposure amongst all these other artists who want the same?

Rombout Oomen

Rombout Oomen

A good work of art – let’s say “a masterpiece” – never exists on its own. Masterpieces can only be masterpieces compared to other works.

Els Franken

Els Franken

 

Els Franken

Els Franken

If these works are incomparable, you have a problem. And this is what happens in exhibitions like the ZomerExpo.

Allard Boterenbrood

Allard Boterenbrood

 

Allard Boterenbrood

Allard Boterenbrood

 

Allard Boterenbrood

Allard Boterenbrood

The only thing an artist can really gain from it, is the fact that he/she exhibited in the Gemeentemuseum in The Hague. That may sound prestigious, but if the rest of the artist’s cv is unimpressive, taking part in the annual ZomerExpo isn’t very helpful.

Rick Fraterman

Rick Fraterman

 

Rick Fraterman

Rick Fraterman

You may dream on as an artist that you showed your work in a museum, but that’s all. An amateur may be content with it, but most participants have a professional education in one way or another.

Nijveld & Van Aanholt

Nijveld & Van Aanholt

 

Nijveld & Van Aanholt

Nijveld & Van Aanholt

 

Nijveld & Van Aanholt

Nijveld & Van Aanholt

 

Nijveld & Van Aanholt

Nijveld & Van Aanholt

 

Nijveld & Van Aanholt

Nijveld & Van Aanholt

As a viewer you may want to discover something special you haven’t seen before. The chance that that will happen is quite small, as the works of most participants tend to be more or less eclectic.

Lucius Pax & Guy Hafkamp

Lucius Pax & Guy Hafkamp

There is nothing wrong with that. Some people may find it even comforting to see something they’ll recognise, but that doesn’t make for an exciting exhibition. And if you don’t want to see something exciting, why do you visit a museum?

Remke Spijkers

Remke Spijkers

The exhibited artworks are also for sale but have prices that don’t have any coherence at all, giving the idea that the museum is a kind of commercial art gallery, and a damn unprofessional one. Well, there are more hard nuts to crack, but let’s not forget there are some interesting works on show as well!

Judith Heinsohn

Judith Heinsohn

 

Judith Heinsohn

Judith Heinsohn

 

Judith Heinsohn

Judith Heinsohn

These are pictures of works that struck me. A work shown here may be part of an oeuvre of sorts or it may be the exponent of a great imaginative world, so exposure on this blog doesn’t say much about the real talents of the artists (although i must admit i do know works of some of these artists)

Yarre Stooker

Yarre Stooker

As you can see most works aren’t extremely “wild”, but there are a few works that are agreeably awkward.

ZE15 30

This year there are also works in the museum’s sculpture garden, which is quite refreshing as these works have a much better chance to show their individual qualities.

Nelleke Lettinga

Nelleke Lettinga

 

Nelleke Lettinga

Nelleke Lettinga

 

Nelleke Lettinga

Nelleke Lettinga

 

Nelleke Lettinga

Nelleke Lettinga

 

Ruben La Cruz

Ruben La Cruz

 

Ruben La Cruz

Ruben La Cruz

 

Ruben La Cruz

Ruben La Cruz

 

Ruben La Cruz

Ruben La Cruz

 

Marc Anthonius Visser

Marc Anthonius Visser

 

Marc Anthonius Visser

Marc Anthonius Visser

 

Marc Anthonius Visser

Marc Anthonius Visser

 

Arnold Sas

Arnold Sas

 

Arnold Sas

Arnold Sas

 

Arnold Sas

Arnold Sas

 

Arnold Sas

Arnold Sas

The addition of the sculpture garden is clearly a positive development.

Ayla Corstanje-Uncu

Ayla Corstanje-Uncu

(Click on the pictures to enlarge)

Bertus Pieters