In Trenkwalder’s works ornaments become corporeal, especially in his more sculptural ceramics, whose uniformity in colour and material invites the viewer to look and scrutinise more closely.
It might have been a kind of a challenge to integrate Trenkwalder’s objects more with Van der Haak’s installation.
Now, although some of them are shown in the same space as Van der Haak’s, they still retain their full sovereignty, which is just as well.
Van der Haak’s installation contains wallpaper, paintings, ceramics, epoxy resin panels and upholstered chairs.
Focusing may seem to be a bit puzzling but that is also part of the fun and charm as Van der Haak makes you look in different ways.
There is no difference in hierarchy between any object or its surroundings.
Some objects come out clearly, others seem to have a camouflage colour.
As always Van der Haak wonderfully combines a festive mood with the intimacy of the gaze.
[Click on the pictures to enlarge]
©Villa Next Door 2017
Content of all photographs courtesy to Elmar Trenkwalder, Christie van der Haak and Galerie Maurits van de Laar, Den Haag