Jaap van den Ende, In orde – Een rationele benadering (In Order – A Rational Approach); Parts Project, The Hague

Parts Project has an almost museum-like presentation of works by Jaap van den Ende (1944). It has become a kind of retrospective of Dutch painting since the late 1960s. It starts with works of the late 60s and the 1970s with a stark minimalism,

which transforms to works in which lush brush strokes and the structure of paint is combined with geometry in the late 70s and first half of the 1980s (to me his best known works).

The 2nd half of the 1980s and the first half of the 1990s are represented by works in which there are overtones of painterly dedication and the suggestion of space.

The most spectacular transformation happened in the late 1990s when Van den Ende found his way of dealing with postmodernism.

It puts the whole show and the whole idea of abstraction in painting into perspective.

The careless viewer might think this is just a show of reverse evolution in painting, but it rather shows that the enlightened, modernist ideas of progress have become a myth, whether we like it or not.

[Click on the pictures to enlarge]

© Villa Next Door 2017

Contents of all pictures courtesy to Jaap van den Ende and Parts Project, Den Haag

 

Bertus Pieters

Thom Puckey, Thorbecke monument; Lange Voorhout, The Hague

I went to Lange Voorhout to see Thom Puckey’s new Monument for Johan Rudolph Thorbecke and to write a review about it for Villa La Repubblica. Click here to read the review (in Dutch).

Being a Puckey fan, i can’t say i’m a fan of this particular monument.

I explain that in the VLR article, so i won’t say much about it here.

The idea for the monument of the 19th-century politician, who was the founder of the modern Dutch Constitution, seems to have been stimulated by the present trendy wave of ‘adhering to our shared values’ in politics.

This pompous policy seems to have got an appropriate monument now.

However, i should say there are some wonderful details in the sculpture.

Although they are difficult to see, as they are all on high pedestals.

[Click on the pictures to enlarge]

© Villa Next Door 2017

Bertus Pieters

Sarah Carlier, Only Jesus Saves; LhGWR, The Hague

Some time ago i visited Sarah Carlier’s present show at LhGWR.

Carlier’s video’s are like moving photographs.

Something may happen in them with some regularity or sometimes even quite suddenly,  but the focus of the camera remains the same.

In the end things may have changed, but only in your mind as nothing really happened to the world you are looking at.

Anything may happen, but the situation won’t respond to it.

Projected together, these videos also stress differences in time and rhythm, sometimes even within one video work.

In each work all elements are present for giving  a consistent meaning to what happens or what doesn’t happen, but in fact all meanings slip away the moment you’re thinking about them.

Only Jesus Saves is a wonderful show to sit down in and change places or refocus now and then. Make sure you can take your time!

[Click on the pictures to enlarge]

© Villa Next Door 2017

Content of all pictures courtesy to Sarah Carlier and LhGWR, Den Haag

 

Bertus Pieters

Quand la nature s’éveille (When Nature Awakens); Galerie Ramakers, The Hague

Reinier Lagendijk

Galerie Ramakers says goodbye to winter with a trio exhibition, showing

Reinier Lagendijk

sculptures by Reinier Lagendijk,

Joncquil

paintings by Joncquil and

Eelco Brand

Eelco Brand

animations by Eelco Brand.

Reinier Lagendijk

Reinier Lagendijk

Lagendijk’s sculptures and installations bring shapes and ways of growing that are both unexpected and seemingly natural.

Joncquil

Joncquil

Joncquil

Joncquil

Joncquil

In Joncquil’s paintings anecdotes seem to be on the verge of their concluding phase.

Reinier Lagendijk

Reinier Lagendijk

Eelco Brand

Eelco Brand

Eelco Brand

Eelco Brand

Brand’s meticulously made animations never reach their concluding phase, running their cycles of birth and rebirth.

Reinier Lagendijk

Joncquil

As a whole the show brings together three very different artists who use aspects of nature very distinctively and powerfully.

Reinier Lagendijk

Lagendijk’s sculptures bind Joncquil’s and Brand’s works very well together, displaying their suggestive expression.

Reinier Lagendijk

[Click on the pictures to enlarge]

© Villa Next Door 2017

Content of all pictures courtesy to the artists and Galerie Ramakers, Den Haag

 

Bertus Pieters

It rains blessings!; Twelve twelve gallery, The Hague

“It rains blessings!” That is easier said than it is experienced. To experience it you may also have to live through the darker sides of life.

Seyran Kirmizitoprak

It rains blessings is the title of one of the works of Wycliffe Mundopa, presently on show at Twelve twelve gallery, together with works by Jeroen Blok and with the remnants of a performance by Seyran Kirmizitoprak.

Seyran Kirmizitoprak

They form a remarkable trio exhibition with Kirmizitoprak’s dress and assemblage at the centre or as a kind of pivotal point of the show.

Jeroen Blok

Jeroen Blok

Blok isn’t really putting you back on earth with his somewhat surreal works,……. or is he?

Wycliffe Mundopa

Wycliffe Mundopa

Jeroen Blok

It rains blessings is a wonderful show in this new gallery, bringing together three very different artists, coming from completely different backgrounds, in a way that they really complement each other.

Jeroen Blok

Jeroen Blok

It probably rains blessings after all.

Wycliffe Mundopa

[Click on the pictures to enlarge]

© Villa Next Door 2017

Content of the pictures courtesy to the artists and Twelve twelve gallery, Den Haag.

 

Bertus Pieters

Guido Winkler etc. ; A Gallery Named Sue, The Hague

In A Gallery Named Sue’s third floor room are some works by Guido Winkler on show at the moment.

His small works become precious objects that are one with the shadows they cast on the walls.

In the mean time the gallery is preparing for Drawing Now Paris 2017, presenting very delicate works by Hernán Ardila,

very small Dingen (‘Things’) which look like pinned butterflies by Miranda Meijer and

some very intense stuff by Nathalie Duivenvoorden.

[Click on the pictures to enlarge]

© Villa Next Door 2017

Content of the pictures courtesy to the artists and A Gallery Named Sue, Den Haag

 

Bertus Pieters

Façades of The Hague #32

Late 19th century double villa, originally known as Duinaue (untranslatable name; left half of the building) and Benvenuta (Italian for welcome; right half), Badhuisweg, built near the coast as two chic hostels.

By the late 20th century it was a club and in the early 21st  century it was a sex club.

After that it became a night club, which was just closed down when these pictures were taken.

It reopened last year under a new name.

It was built as a very smart villa.

With the front windows walled up, it looks a bit uncouth these days and it probably won’t regain its old glory; i’m afraid its dilapidation won’t be stopped.

[Click on the pictures to enlarge]

© Villa Next Door 2017

All pictures were taken in March 2016.

 

Bertus Pieters