It is rare for an artist to have a solo exhibition at Van de Laar’s gallery, but the subject clearly needs it and, what’s more, Freckmann’s work is worth it.
Freckmann clearly is both a painter and a narrator, though her stories don’t seem to have a beginning or an end.
As such they resemble the commedia dell’arte by which this show is inspired.
The figures of the commedia dell’arte have evolved in a tradition of about two centuries with characters like Pierrot, Arlecchino or Colombina who became part of West European culture.
As such they always played the hopes, pitfalls, sentiments and especially the morals of daily life as a caricature, masked and unmasked.
Freckmann adds her own figures and objects to the stories.
There is the ever-present silent dog, the sloppily feathered blackcap, a vase, a timber framed house or even the odd handsome prince on a white horse.
The great thing about Freckmann’s works is that she doesn’t just paint scenes, but that her painting, both technically and compositionally, becomes part of the narrative, or the other way round..
[Click on the pictures to enlarge]
© Villa Next Door 2018
Content of all photographs courtesy to Andrea Freckmann and Galerie Maurits van de Laar, Den Haag